Vol. 55 no. 3: Winter 2021–22

View Vol. 55 no. 3: Winter 2021–22
Published: 30 Jan. 2022

Front Matter

  • Blake in Europe, edited by Sibylle Erle: cover and table of contents

    DOI: https://doi.org/10.47761/biq.299

Introduction

  • To See the Worlds of a Grain of Sand: Blake and Reception

    Sibylle Erle
    DOI: https://doi.org/10.47761/biq.298

Part I

  • William Blake’s Black Bible as a Spectacle of Doom: A Recent Note to Blakean Reception in Romania

    Cătălin Ghiță
    DOI: https://doi.org/10.47761/biq.301

  • “I inhabited the Land of Ulro long before Blake taught me its proper name”: Czesław Miłosz’s Ziemia Ulro/The Land of Ulro

    Eliza Borkowska
    DOI: https://doi.org/10.47761/biq.303

  • Reading Revolutions: Corrado Costa’s William Blake in Beulah, a Visionary Cartoon Essay in 1977 Italy

    Luisa Calè
    DOI: https://doi.org/10.47761/biq.300

  • The Mental Travellers: On Blake’s Reception by Nikolai Gumilyov

    Vera Serdechnaia
    DOI: https://doi.org/10.47761/biq.296

Part II

  • “Re-mediatingˮ William Blake in Croatia and Serbia

    Tanja Bakić
    DOI: https://doi.org/10.47761/biq.297

  • “Sick as a Rose”: William Blake in Leopoldo María Panero’s Poetry of Experience

    Cristina Flores
    DOI: https://doi.org/10.47761/biq.302

  • Portuguese Readings of William Blake: Fernando Pessoa, a National Poet, and Três Tristes Tigres, a Pop-Rock Band

    Alcinda Pinheiro de Sousa, Cláudia Franco Souza, João Carlos Callixto
    DOI: https://doi.org/10.47761/biq.304

  • “Blake was a phenomenon”: Artistic, Domestic, and Blakean Visions in Joseph Paul Hodin’s Writing on Else and Ludwig Meidner

    Sibylle Erle
    DOI: https://doi.org/10.47761/biq.305